The Picture of Dorian Gray - Oscar Wilde (By the decade challenge)

Oscar Wilde's modern fairy tale repudiates the concept of "the banality of evil." It mirrors Hawthorne's masterpiece, "Rappaccini's Daughter," by creating a world of poisonous and inescapable beauty, and it prefigures the atmosphere of Hilton's Shangri-La where the perpetuity of agelessness and beauty require isolation from the outside world.

Everyone knows the stories of Dorian Gray and his exquisite, doomed creator. I do not need to elaborate on the perfect and paradoxical prose, or the sweet and foul decadence of Dorian's world. Even as the downfall of Oscar Wilde at the hands of his true love's father always has horrified and appalled me, I have revered Wilde for refusing to abandon or deny his love for Lord Alfred Douglas, his Bosie. Would that the prejudices that informed that hideous episode existed no longer!

As I read the novel, the opulence and hint of decay so beautifully depicted in the 1997 film "Wilde," combined with the voice of Peter Egan, who portrayed Wilde in the British production, "Lillie." The effect, I assure you, was delicious.

melanie

A Short History of Myth - Karen Armstrong

A Short History of Myth might be the sequel to A Brief History of Time (and infinitely more readable, I might add). One brings us from the first moment of the universe forward. The other brings us from the first conscious human moment forward.

Allow me to state a personal belief here: both journeys are awesome. Equally awesome. Karen Armstrong believes that reading about myth without experiencing (even at an historic distance) the accompanying ritual gives "as incomplete an experience as simply reading the lyrics of an opera without the music." I don't agree. If the reader participates, imaginatively, in the act of storytelling, then the ancients who transformed their questions and awe into stories are as modern as we are - which is to say, a few thousand years of time have not changed human psychology one whit.

What are the domino theory, the red menace, the Cold War, and the information superhighway but modern myths, meant to tame our fears, awe, and perceived helplessness against overwhelming power? And what are the arms race, HUAC hearings, wars, and the creation of pc icons but rituals to propitiate that power?

Armstrong says that the presence of myth posits a belief in a future similar to our own - a means to allay the consciousness of mortality and its despair. "Myth," she says, "looks into the heart of a great silence." Myth and religion also explain (or bring us to) transcendent moments when logic quiets, and experience narrows and expands. (I would call them Zen moments, the ultimate detachment of one's personal ego from the cosmos, both the ultimate surrender and relief.)

This parallel universe is one where the gods and goddesses have dealt - as badly, at times, and as egotistically - with the same problems of mortals. Jealousy, greed, ambition, and arrogance damage the gods as much as they do humans. Every culture has believed in a lost paradise and a powerful, single god whose remoteness has spawned lesser deities or landscapes where the two worlds are linked. Both the Australian Dreamtimes and the Elusinian Mysteries, for example, provide links between the worlds, as do the Burning Bush or Jacob's Ladder.

Myths transform and symbolize the seasons and agriculture (Persephone and Demeter), rites of passage, humanity's punishment for arrogance or attempting to transcend the natural order (Icarus, Prometheus), and disrespect for the Mother (Ianna), who forever retains her fearful power over reproduction and the food supply, and who must be propitiated. Agriculture and death intertwine (Osiris, Persephone's stay in the Underworld), heroic quests are undertaken (the search for the Grail).

Are any of these stories outdated? Of course not. Therein lies the power of myth - as metaphor of the original story, the Jungian idea of collective consciousness, the Christian concept of original sin, the folly of those who worship wealth (the Golden Calf), the quest for the fire that might illuminate our path away from death. We always will have Mysteries, Eleusinian or not.

This is a mighty little book that combines a concise overview of myth with an invitation to discover the very modern ancients. I recommend it for its information, style, and the provocative questions it invokes. melanie

Non-fiction 5: Eat, Pray, Love

Eat, Pray, Love - Elizabeth Gilbert

I confess: the only reason I included this book on my list was its presence on best-seller racks in Borders and Barnes & Noble. I suppose I got what I deserved. At least I had the sense to stop reading it when - well - I'm getting ahead of myself. Be patient.

Gilbert is a seeker. I'm a seeker. (Wouldn't you like to be a seeker too? ) In a memoir, as in life, I seek clear-headedness. In a travelogue, I seek - well, clear-headedness and a sense of Being There. In a spiritual memoir, I seek - well - how about perspective? Some evidence of growth?

Here's a quote that says it all:

The other day in prayer I said to God, "Look - I understand that an unexamined life is not worth living, but do you think I could someday have an unexamined lunch?"

Maybe I just wasn't in the mood for this book. (In fact, I just gave a copy to a friend who will like it very much.) What the world needs now isn't love as much as reason and clarity. Without those, love is just an impulse. I need more than the evidence of impulse to want to read a book.

Gilbert's travels took her to Italy, India, and Bali. Italy was mostly about food. Even if I, personally, would starve before I ate octopus salad, I can appreciate someone else's appetite. (After all, M.F.K. Fisher wrote about, shall we say, non-standard foods, and her work is stunning.) I can't tell you about Bali, because I bailed out in the middle of India. That's not like me.

I love reading about India. I love Indian music, Indian food, Indian art, Indian thought and spirit. I've read Autobiography of a Yogi, books by Krishnamurti, the Bhagavad-Gita, Rabindranath Tagore, countless books about the Raj. It's difficult to put me off if you're writing about India. Gilbert managed. It wasn't that she arrived at an ashram wanting to pick and choose amongst the necessary disciplines - one expects resistance in a spiritual memoir. It wasn't even the presence of a wry Texan whose comments reminded me of a cross between the late, great Molly Ivins and The Stranger in "The Big Lebowski." It was the moment of enlightenment that involved being bitten half to death by mosquitoes.

Sometimes I can get past mosquitoes. Sometimes I can't. Oh well.

By the way, "The Big Lebowski" is one great film. The Dude abides, you know.

melanie

TBR challenge - Katherine Mansfield, a secret life

Katherine Mansfield: a secret life - by Claire Tomalin

That I love the work of Katherine Mansfield probably is apparent from the way I've rattled on here, here, and here. How I wish for a new biography of this doomed and brilliant miniaturist! In the meantime, I recommend this 1987 work by Claire Tomalin.

Tomalin can always be counted on for clarity and an unbiased rendition of a life. In the case of Katherine Mansfield, both must have been difficult. Not only did Mansfield try on various personae and artistic identities, not only did she hide and lie about some of her past - she even changed her name several times, finally alighting on the name we know today.

She was, for her times, more sexually adventurous than many. Her early lovers may have included women. Some of the physical suffering she endured before her death from tuberculosis may have been the result of an STD she contracted, relatively early in her life.

Even as her strength ebbed, she flung herself into her art and the artistic life, socializing with such luminaries as Lady Ottoline, Virginia Woolf, and Aldous Huxley. She and her odious husband lived with the volatile D.H. Lawrence and Frieda Lawrence for a tumultuous period. (Lawrence later based two characters in Women in Love on Mansfield and Lady Ottoline.) Her stories, crystalline and (sometimes) bitter, caught the attention of Virginia Woolf, who considered Mansfield her only true literary threat.

Mansfield's death in the enclave of the mystical Gurdjieff was part of a desperate search for a cure when conventional medicine failed her. Tomalin takes the reader through the last days and last hopes with the dispassionate details that make Mansfield's decisions tragically clear.

Tomalin's biography brought me closest to feeling that I was in the presence of this complicated woman. I recommend it to all who love Mansfield, and all who admire a good biography.

melanie

Dystopian challenge

Have you seen this?

Dystopian Challenge


Heaven help me, I just joined.
My selections:

P.D. James - Children of men
Margaret Atwood - Oryx and Crake
Kurt Vonnegut - Cat's cradle
Philip Dick - Do androids dream of electric sheep?

melanie

Teabird's reading challenges

I'm going to create a new blog, where I will keep a running list of the reading challenges that I join, here --

Teabird and her challenges

... because I'm having a hard time keeping track of them, myself! My reviews and musings, of course, will remain right here, where they belong!

melanie (a/k/a teabird)

By the decade challenge: Murder on the Orient Express

Last night, I read my selection for the 1930s: Murder on the Orient Express (Agatha Christie). I'd never read anything by Christie, and I was expecting to be bemused by a period piece.

Instead, I was enthralled, unable to put down the book until I had finished. Not only that : since I'd never seen the movie, I was depending on the book alone , and I was utterly amazed by the ending. I never saw it coming. Great fun!

(One cavil: anyone who reads this should be prepared for some musty, unpleasant cultural stereotypes. This book is not politically correct... but one must take it as a period piece, after all.)

The tally, so far:
1890s Picture of Dorian Gray (Oscar Wilde)
1900s Heart of Darkness (Joseph Conrad)
1910s Song of the Lark (Willa Cather)
1920s The Beautiful and Damned (F. Scott Fitzgerald)
1930s Murder on the Orient Express (Agatha Christie)
1940s Brideshead Revisited (Evelyn Waugh)
1950s Wise Blood (Flannery O'Connor)
1960s Speak, Memory (Vladimir Nabokov)
1970s Play It As It Lays (Joan Didion)
1980s Joy Luck Club (Amy Tan)
1990s The Biographer's Tale (A.S. Byatt)
2000s The Seven Sisters (Margaret Drabble)

melanie

Non-Fiction Five

Yet another challenge:

The Non-Fiction Five.

My choices:

Marc Romano:Crossworld: one man's journey into America's crossword obsession.
Dava Sobel: The planets.
Ann Linnea: Deep water passage.
Elizbeth Gilbert: Eat, pray, love.
Joyce Carol Oates: The faith of a writer.

This challenge runs from May through September. It's going to be hard to restrain myself from starting early!

melanie